
on stage, online, on tour
Classical Music
Branding & Communication Strategy • Project Management

Kirsten Fehring - Classical Music Consultancy
I help solo artists, ensembles and small cultural organisations define how they present themselves, communicate their work, and connect with audiences. I combine branding, storytelling, and strategic planning to ensure that artistic vision translates into a effective public presence.
Expand your reach, define your identity and connect artistry with audiences.
I offer hands-on collaboration tailored to your specific goals within the classical music landscape, giving you the flexibility to choose the perfect mix to shape a strategy that best delivers your vision and your music.
Let's find out how to best communicate your projects and ideas and turn your creative concepts into reality.
An insightful, confidential chat. No agenda or ask on my side — just an honest read on whether there's a fit.
Services
How can I help?

Communication & Content
I help you refine your communications strategy, design websites, newsletters, press kits and social content that resonate, and optimise your systems - from AI SEO to CRM and CMS.

Branding
Together, we define your unique artistic identity and develop your niche.
Book a workshop to shape and refine your artistic direction.

Strategic Project Management
I guide your project from concept to the stage and in front of your audiences.

Touring
Comprehensive touring support - from planning to stage, with optional advice on promotion.

One-to-one mentoring sessions
a flexible, open space to think through whatever is on your plate:
new project, branding or communication questions, a tricky touring decision, a website re-launch or simply where to start - big or small, at whatever stage you're at. Impartial, confidential and candid support from an experienced set of ears - whenever you need it (and wherever you are - in the UK or the EU)
Branding Workshop
for Ensembles, Solo Artists, and Organisations
A guided questionnaire and practical session that will help clarify your artistic identity,
build clear brand guidelines, and apply them in practice.
How does a classical music ensemble, quartet or solo artist stand out in today’s competitive landscape? How can you communicate your unique artistic identity in a way that captivates audiences and builds long-term engagement? This workshop will help you answer these questions by guiding you through the process of defining your artistic vision, creating a cohesive strategy, and refining what you offer your audience.
Define, Design, Connect
Clarify and define your core artistic identity and mission
Develop or refine a compelling brand narrative and visual identity
Align your communication strategy with your (brand) values
Enhance your concert concept and design.
Know your Audience
Who do you attract to your performances, and who do you want to reach? Consider the different types of listeners — the curious visitor, the engaged concertgoer, the devoted aficionado, or the accidental spectator. Each audience member brings unique expectations and perspectives. Understanding them helps shape meaningful connections.
Branding is your artistic personality in the spotlight — it’s how you tell your story, stand out from the crowd, and make sure people join and remember you (for all the right reasons!).

Book a free 30-min strategy call with me and find out if this workshop is for you.
Clients & Collaborations
past and present - a selection
Artistic identity & website
for French violinist Laura Corolla - Laura's openness and curiosity made the whole process a genuine pleasure. After an artistic identity session to clarify her positioning and voice, we translated that into a digital home - true to who she is - and built for an international career.
Concept and Programming: Chorwelten at Kronberg Academy
In its first season, the focus is on Great Britain, where choral tradition and a contemporary approach often stunningly intertwine and unfold with particular richness — from luminous transparency to bold new colours. I invited three ensembles to exemplify this wide spectrum: Solomon's Knot (early music, period approach, performed off score), ORA Singers (visionary commissioner of contemporary choral music, often performed alongside Renaissance masterpieces), and the young Echo Vocal Ensemble (fearless, innovative and often immersive). This is more than a commission, it is a series born in my hometown, for a house and an organisation I hold in great affection, with musicians from my adopted home whom I admire equally. The conceptual thread is a shared choral tradition - one that connects these very distinct sound worlds and their different positioning within British musical life.
A brand new website for historical instrument specialist Oliver Saendig
Website design, content and photos. It was a pleasure diving into the backstage world of a specialist tuner and technician. A branding workshop provided valuable clarity on objectives and goals. I also shot most of the photos. Now we just need to catch all his instruments on a good light (never that easy in their preferred habitat)
About
My involvement in classical music began with my first job at Credit Suisse Zurich, in the Arts Sponsorship department — happily supporting festivals, ensembles and artists and making things happen. Developing creative strategies and an interdisciplinary approach have been my trademarks ever since.
My past and present clients and collaborators include Continuo Foundation, ZAREKtrio, Baroque Ensemble Solomon's Knot, United Strings of Europe, Barnes Music Festival, Kronberg Academy, Le Foyer des Artistes (Northern Ireland), Cologne Music College, and solo artists including French violinist Laura Corolla and American violinist and Guildhall Professor Jacqueline Ross. A commission for composer Héloïse Werner (a beautiful object), culminating in a world premiere with harpsichordist Paweł Siwczak and ensemble, was a particular highlight.
I hold a Magister degree in Literature (with a focus on music), a BA in Economics, and a PhD whose dissertation explored Arts Sponsorship. I also write Backstage, a Substack newsletter on the inner workings of classical music.
A passionate musician myself, I sing in chamber choirs and played the oboe in another life.

FAQs
Do get in touch if you have a any other question, or like to hear more details - I love to hear from you!
Do you offer an initial free consultation?
Absolutely. I offer a free initial conversation to explore your ideas and goals and recommend next steps. If I can’t help, I’ll suggest other trusted contacts.
What does your service cost?
My fees depend on the nature, scope, and timeline of your project. I tailor each collaboration to your specific needs and budget, whether it’s a short consultation, a longer strategic partnership, or support across multiple project phases. During our free initial conversation, we’ll discuss your goals and I’ll provide a clear proposal that works best for you.
Where do you work?
I’m based in London and collaborate with artists and organisations across the UK and Europe. I offer both in-person and remote support, depending on what suits the project best. I also work regularly out of Germany and Switzerland.
How can I get in touch?
Just drop me a message . I’d love to hear about your ideas and will get back to you as soon as possible.
What is the Branding Workshop?
The Branding Workshop is a hands-on session for ensembles, solo artists, and small arts organisations.
Together, we clarify your unique story, values, and goals, helping you create a consistent, compelling brand that connects with your audiences.
You’ll leave with practical tools to communicate who you are and what you stand for - whether launching a new project or refreshing your existing image.
Your authentic presence is always at the centre.Who have you worked and collaborate with?
I’ve collaborated with a range of classical musicians, ensembles, arts organisations and festivals, both emerging and established. These include United Strings of Europe, Solomon’s Knot, violin Prof. Jacqueline Ross, Paris based Violinist Laura Corolla, Continuo Foundation, and the Kronberg Academy, to name a few.
I also collaborate with others more quietly behind the scenes, depending on what fits best. Every project is different, and I always tailor the support to what’s most helpful for you.What languages do you speak and work with?
English and German, and I get by pretty well in French too - ensuring your message is clear, authentic, and impactful across languages and cultures.
So, what's that newsletter all about?
I should call it a Sammelsurium (I love this German word) or a hotchpot of ideas, thoughts, reflections, and research left overs, sometimes political, always musical, with the odd book thrown in for good measure - all things I come across whilst working, doing research or enjoying a concert!. Have a look.
Backstage
A Behind-the-Scenes Newsletter
Thoughts, reflections, and research 'leftovers' (the good stuff), sometimes political, always musical, with the odd book thrown in for good measure
Take a look and subscribe for fresh perspectives, delivered to your inbox every few weeks (via Substack). There, you can also explore all of my past articles.
or wander through the BLOG version below, where I recently started adding my more work related posts.
- July 19, 2026June 22, 2026May 15, 2026April 7, 2026March 30, 2026March 3, 2026January 9, 2026October 28, 2025
© 2026 Dr. Kirsten Fehring, London / headshots ©Oskar Chu

























